All in Fun!
I was a big time cereal eater in my day, and I still enjoy popping open a box of Trix or Cap’n Crunch every now and then to recapture that feeling of Saturday morning cartoons and multiple bowls of sugar-saturated cereal before anyone else was up. The 80s, in my opinion, was the champion decade for kid’s cereals, and here my favorites from my childhood. Feel free to mail me a box and I’ll love you forever.
While I actually have a little more childhood nostalgia for my original Nintendo system, the Sega Genesis system I eventually received one Christmas is tied to a lot of fond memories I have of being an early teen, especially memories involving my dad. He got one too so we could play together when my sister and I would go visit him in the summers, and we had a blast. When visiting him recently, we found that old Sega in storage and I played the devil out of it. Here are the three games that—even after all these years—are still an amazing way to kill a rainy afternoon.
Bogie. The Hump. Mr. Sam Spade himself. He’s been one of my favorite film stars ever since my dad started letting me watch some of Bogart's black-and-white classics when I’d visit him over the summer in middle school. I was always drawn to his casual bravado and endless confidence, and he mastered and trademarked the archetype of the law-bending detective with a shady past but a heart of gold. Far too many of his amazing roles will not make this list, but here are the ones that mean the most to me.
During my time as a Writer’s Digest book editor, I had the pleasure of shepherding a tall stack of books into the world, and each taught me valuable lessons about writing (it’s hard not to pick up some cues when you’re neck deep in writing advice night and day), and some were a lot of fun to edit, too. The following books were especially enjoyable, written by talented, fun, whip-smart people who really cared about helping other writers write better (and sometimes just to write). All these books are definitely worth picking up, and that’s coming from a guy who doesn’t even work there anymore, so you know it’s not some PR smoke and mirrors act. Enjoy!
I still remember the first time I picked up Stephen King’s short story collection Night Shift, and after the first tale within I was forever changed. I had previously tried my hand at his novels when I was in middle school and early high school, but they never did much for me (not until much later), but those shorts…oh man, they got me good. Here are my Top 3 stories that sank in their claws and still haven’t let go.
Well, not really. It’s not like the secret service gave me a gun and aviator sunglasses. And it’s not like there was any real threat from some gun-totin' lunatic. But if you look at it from a certain point, it’s true, I spent an hour or so as my own version of Burt Macklin, keeping the bad guys out of the Elks Lodge 2223 on Route 40 back in 2004, when Hillary Clinton came to the town of Greenwich, NY.
Over the past several weeks, a number of people who have read or have heard me read aloud some short stories from my upcoming collection of fiction, What Lies In Wait, have commented that the stories would make intriguing radio plays and they remind them of those old time radio shows that aimed to give listeners a late night chill. There’s likely a good reason for this, as old time radio has long been a quiet passion of mine. Over the years I have been listening to a wide variety of suspense, mystery, horror, and crime radio programs from the 1930s through the late 1960s, using the Old Time Radio Internet Archive, which has hundreds if not thousands of episodes available for streaming or downloading. To say they have affected my storytelling in recent years is probably not giving them enough credit, as I’ve become absolutely fascinated with the eerie tension within these stories
If you like podcasts like Serial, or if you are an audio-book junkie, you’ll love some of these old programs, and many are complete with their original commercials for everything from Wheaties to wine, coal to car batteries, and even U.S. war bonds. I throw them on my iPod and ride the subways of NYC listening to some of the best actors and writers to ever lend their talents to radio, people like Ray Bradbury, Humphrey Bogart, Vincent Price, Dorothy L. Sayers, Lucille Ball, Orson Welles, and many others. Below are my Top Five favorite programs that I highly recommend for all of you out there.
Self-editing is one of the most widely discussed “craft” topics for writers and everyone has their own B.S. methods and tricks. Most of the tricks are just common sense, such as AVOID IT AT ALL COSTS, because you will never not ever catch all of your own typos, but you can try! (And you should try…nothing is worse than typos. Not taxes, not typhus, not anything.) Here are a few things I suggest.
1. Oh god, just hire someone else to do it. They’re probably better at it than you. No, not probably, they are. I just read six websites that all said something like “The author is the best person to edit their own work” and that’s such a load of garbage. You are certifiably the worst, because you know the material too well. Find someone who doesn’t know it at all.
