The Tom Petty poetry tribute is now live at Hobo Camp Review, and features poetry inspired by Tom's work and lyrics by such poets as Ally Malinenko, Jonathan Dowdle, Jake St. John, Bridget Clawson, Annmarie Lockhart, and even one by myself titled after his non-album track, "Surrender." I couldn't resist adding a poem too, as Tom was such a big influence and a constant musical companion throughout my life. The issue also features four book reviews, inclduing one by our new associate editor Rachel Nix, and two interviews with Ben Sobieck and Destini Vaile. Plus we have some non-Petty poetry too, including three poems by one of my favorites, Orooj-e-Zafar. It's one of our biggest and best issues yet and I'm really proud of how it turned out. Check it out if you have the time!
My short essay, "I Saw It On The Radio," now appears in the massive new anthology, From Somewhere to Nowhere: The End of The American Dream. This anthology is huge, and filled with fiction, essays, art, and more from artists all over the world, but was organized by a loose yet long-standing poetic collective called The Unbearables, who are based out of NYC. This book was in the works for years and I'm impressed by just how much they fit between the covers. The pieces focus on the experiences and observations on American life during and since 9/11, and its publication was delayed in order to include work that looks at our American life under Donald Trump's administration, capping the collection with a rather intense and anxiety-filled finale. My own piece is simply about my experiences on the morning of 9/11, and how I witnessed the towers fall while listening to live radio and watching it on TV at the same time. I was alone, but in a sense, I was with everyone listening in too, all watching the possibilities of a rather mundane Bush presidency crumble into eternal war and strife. The complexities of our world are not easily laid bare, but this anthology tries its best. Check it out if you can! It's a little on the pricey side, but you really get your bang for your buck. Seriously, it's hefty, you could knock out a burglar with this thing if you needed to. Enjoy!
One of my favorite literary and cultural magazines online, Drunk Monkeys, just named my latest collection We Are All Terminal But This Exit Is Mine as their pick for the Best Book of 2017. It's a massive honor and I'm blown away by the response, especially from a group of editors and writers I already deeply respected. In their post, they said, "It’s a powerful, transformative, and funny work - and our choice for Best Book of 2017. ...no book moved us, challenged us, and inspired us like James Duncan’s poetry collection We Are All Terminal But This Exit is Mine." Check out their website for the entire review. As always, I owe a lot to Bud Smith at Unknown Press for working with me on the book and for pushing me in new directions. And thank all of you for reading the book (signed copies are still available!) and for supporting me over the years.
No writer is done learning, and some methods and "tips" we learn evolve over time and take on new dimensions. I did a lot of writing in 2017, not all of it as successfully as I wanted, but throughout the ups and downs I learned a few things (and re-learned even more) that might also help you too. Good luck in 2018!Read More
The new issue of The Blue Mountain Review is now live, and includes my latest column for the BMR gang, this one titled "StoryHarvest: Write for Yourself, Write for Us All." Its about first time poems, how we decide what to write about, and my experience at the StoryHarvest event at The Sanctuary for Independent Media, an incredible education and social service organization located in Troy, NY. Their StoryHarvest event brought community members, children, teens, and artists together for an event celebrating local culture, food, art, music, and more. I brought along my typewriter and sat with people who never used one (or haven't in years) and encouraged them to write some poetry. It was a great time and I learned a lot about where inspiration for poetry comes from, which I discuss in the column. The issue is packed with great writers too, such as AnnMarie Lockhart, John Dorsey, Ryan Quinn Flanagan, Clifford Brooks, and many others. Take a look!
Kleft Jaw #11 just blew a hole in the internet with their 11th issue, and I'm grateful to have two pieces within, a poem titled "Lo Cool, 69 Degrees" and a flash fiction story called "$10,000" which used to be a poem I originally wrote in Colorado but I fleshed it out to an actual story because it needed more room to detail the weird encounter I had with a man in a coffee shop out in Ft. Collins a few years back. You can read these pieces in the online magazine, and please check out the other work and art in the issue. It's a wild collective over there and I'm always pumped to be included in some Kleft Jaw chaos.
As with every annual list, I only include books I've read for the first time, but they can be from any year. It wasn't a bad year for reading but I feel like I read less and less every year since leaving NYC. I guess all that time reading on the subway actually made a bigger dent in my To Read list than I gave it credit for. But like I said, 2017 wasn't so bad. Here are some of my favorites. What were yours?Read More
My 2017 writing life started by trying to revise a novel I had worked on for almost a decade, before deciding around March that it just wasn’t working. Plot holes kept shifting, twists I added to make the story unique only made other part of the story implausible, and I kept blending too many genres to the point where I didn’t know if the story was taking place in the past, present, or future, if it was a dystopian story or a noir or both or neither. I admit, I was making it too hard on myself, too complex, but I had lost the clear vision needed to simplify that story. I was in too deep and it just wasn’t working out. I love the characters so damn much, but I decided to stop for good (or...for now?) and pursue other projects I wanted to work on.Read More
I don’t remember exactly when Bud Smith and I began following each other online, but I loved his work and I thought his blog was chock full of hilarious and whip-smart posts. Even better, when I began crossing paths with him In New York City at various readings, I found out that not only is he a talented guy, but he’s a really GOOD guy, generous, helpful, and he wants to see the writers around him succeed and be happy almost more than he wants that for himself, it seems. So when we talked about doing a book together, which turned into We Are All Terminal But This Exit Is Mine, I knew I wasn’t just in good hands, I was in the best hands.
Unknown Press, as far as my book is concerned, consisted of Bud and his friend and editor Devin Kelly, who also happens to be another astoundingly talented writer Bud has published, and both of them offered helpful suggestions and insight about how to reshape and improve my poems. I loved some advice and took it, and I wasn’t sure about some and passed on it every so often, which Bud was absolutely happy to allow me to do. There was give and take, communication, lots of passes and questions and updates and trial and error, a real collaborative open effort. All heart. All joy. Did we miss some little things? Maybe. We’re human. Would I have done it any differently? Not on your life. Unknown Press was the way to go with this book, and they gave 100% of the profits directly to the author. No fees, no cut, no charge for layout, editing, anything. It’s all about the work, making it awesome, putting it out into the world, high five, grab a beer, and life keeps moving.
I am deeply appreciative of Bud’s work on my book, and Devin’s too, and I hope you’ll seek out their own books. I’m reading Bud’s Dust Bunny City right now, a book of poetry and fiction he collaborated on with his talented and always delightful wife Rae Buleri. I highly recommend it, as well as his novels F-250 and Tollbooth. I’ve read both, and loved both. I'm also dying to read his new memoir, Work. And Devin’s book Blood on Blood is on my “Must Read in 2018” list, and I hope it’s on yours too. Please check them out and support their work. They’re writers who work hard to make other writers better, and I think that’s a great example of how we should all be in this community of ours.
Now that I’m on the cusp of crossing Spoon off my “Bands To See Before I Die” list, I thought it would be fun to rank their albums (no EPs or extras, of which there are many) based on my subjective thoughts on the quality of each and the album’s impact on my listening habits. And I should note I don’t dislike any of these albums, but there are certainly some that are stronger than others, and some remain in my heavy listening rotation long after their release for damn good reasons. Okay, let’s get to it!Read More
Earlier this year, the editors over at Cahoodaloodaling asked if I would join them as a guest editor for one of their issues, and I jumped at the chance. They also allowed me to suggest a theme. It was a huge honor being asked, and right away I knew I wanted to edit an issue based on the idea of solitude. Solitude is a major theme in my life, both as a comforting thing and as the sometimes lonely side effect of being a writer in need of quiet time in order to work. It can be good and bad, and for others, it can be a relief or a tragedy, something to embrace or to fear. It means so much to so many, and in this issue we capture a lot of that, covering an array of feelings about solitude and what it means, in an issue we titled Solitude's Spectrum.
Though we read blind submissions, there are a lot of writers I know and respect in this issue, including Megan Merchant (who wrote our spotlight piece "of use," Rebecca Schumejda, Bridget Clawson, Shanti Weiland, and many more, as well as an interview with another favorite poet/editor, April Michelle Bratten. My deepest thanks goes out to Raquel, Rachel, Hannah, and all the other editors and readers at Cahoodaloodaling for letting me join the team, if only for a little while. And thank you as well for taking a look at the issue, my interview within with Rachel Nix, and at everything else Cahoodaloodaling offers at their site. Enjoy!
My poem "September in the Attic" now appears (on page 31) in the new issue of Free Lit Magazine, which has a unique "Magic" theme, and climbing into one's attic in early fall can certainly become a magical adventure full of nostalgia and daydreaming, something I explore in this poem. You can read the issue online or download a PDF, and I hope you'll consider sending them your own work. My thanks to the editors for including me, and my thanks to you for reading.
My poem "The Mice Have Abandoned The Woodpile" is now featured in the new issue of Picaroon Poetry (it's on page 7), edited by the talented poet-pirate and sea-witch extraordinaire Kate Garrett. The collection features a slew of excellent poets, including Jessica Mehta, Ali Jones, Emma Lee, Spangle McQueen, Russell Jones, and many others. The poem is perfect for this early winter season, as it was written in November one year ago and speaks to themes of oncoming winter, loneliness, and what happens as you attempt to move on from a failed relationship. You can read the issue online, so I hope you take a look, enjoy, and send Picaroon your own bounty of poetry. Thanks!
Our upcoming winter issue of Hobo Camp Review is open to submissions that span all topics and themes, but we also plan on having a tribute section to the late Tom Petty, one of our favorites here at the Camp, and we'd like to include poetry, flash fiction, art, and other artistic offerings that are inspired by Petty and his lyrics, song titles, albums, etc. To be clear, we are NOT looking for work specifically *about* Tom Petty, his passing, or what Tom meant to you. Instead, we want to see his influence in your own work, either as subtle references, riffs off his lyrics, poetry exploring themes and characters in his work, stuff like that. Keep his artistic vision alive in your own work! We have a tentative deadline of 12/15/2017, but we may keep it open longer if great work keeps rolling in. Please take a look at the Hobo Camp guidelines and consider sending something our way! Thanks, and I'll see you down the road...
If one were to build a Mount Rushmore of Horror Writers, you could easily suggest the faces of Poe, Shelley, and Stoker as starters, and some may propose Matheson, Blackwood, Jackson, and of course King, among many others, but for me, one name is a must—H.P. Lovecraft. Like Poe, Lovecraft’s work stands out from his contemporaries as so uniquely strange with such a singular aura that there hasn’t really been anyone like him before or since. Many were inspired by him, but few were as wholly odd in aesthetic, style, and life.Read More
My poem "The Green Carpet," which also appears in my new book from Unknown Press, We Are All Terminal But This Exit Is Mine, is now featured over at Words Dance Publishing, a fantastic site that posts all kinds of great literary content. The poem looks back on my fond childhood memories of my elementary school library and how formative that place became, and all the feelings that can overcome you later in life when you realize those warm, wonderful places feel so far behind you that you'll never be able to reach them again. It's a good example of the kind of work you'll find in my book, which is available at Amazon or by contacting me at email@example.com. My deepest thanks to Amanda Oaks for accepting the piece over at Words Dance. Definitely check out their site! And thank you for reading.
Things have been rolling this week. On top of my new book dropping Halloween night, I have three new poems appearing in three different magazines around the net.
My poem "Hunger" joins a slew of others in a special edition of Drunk Monkeys: The Year of Trump, a collection of poems, prose, interviews, and art about life in this "new normal" that shouldn't be normal at all. The writers here are no fan of 45, and my pieces laments over how to deal with loved ones who have gone lockstep in a strange and frightening direction. The issue is full of wonderful writers, like Rachel Nix (Hobo Camp Review's new associate editor!), Ally Malinenko, John Grochalski, Cat Conway, and others.
Another "Trump" poem of mine, "Last Cigarette," appears over at Winedrunk Sidewalk. This site publishes a new poem every day about life under 45. Keep checking in for all kinds of voices speaking up and out.
Finally, Lonesome October Lit (one of my favorite new online journals) has included my poem "The Incident at Choke Cherry Farm" in their big Halloween extravaganza yesterday, and I'm so happy to be part of it. Anyone who knows me knows I adore Halloween, so this is super cool. My deepest thanks goes to poet and editor Kate Garrett, who also selected my poem "Prayers from Dunwich" earlier this October.
Thanks for reading, and I'll see you all down the road...
My new collection of poetry, We Are All Terminal But This Exit Is Mine, is now available from Unknown Press! This has been a long process (over two years!) to get this from the page to the reader, but it's finally ready to share with you all. This collection explores the childhood memories and nostalgic daydreams of a grade-school bookworm now grown up to face cancer, chemo, debt, solitude, and the fear that all the joys and hopes of a bygone youth are slipping out of reach. I couldn't be happier to have worked with writer/publisher Bud Smith on this project, and I included a poem below as a sample of what you'll find inside.
The book is available at Amazon, by special order through your local bookstore, and by writing me at firstname.lastname@example.org for signed paperbacks. (Yes, yes, good old ancient Hotmail.) Blurbs and recommendations are available at the book's page on my website. Free PDF copies are available for reviewers, and I'll have free physical copies for reviewers soon too. If you'd like one, please contact me. Thank you all!!
THE GREEN CARPET
It is a waiting room of chipped plastic tables full of
wrinkled copies of Highlights magazine and cardboard
flip-books about bears flying in hot air balloons, the
scent of rubbing alcohol and Lysol. These children here
are bald or soon will be and I run my hand through my
own hair, find bloody fingertips, red robins in flight
through my very flesh, flying away and away and away.
Opening my eyes and counting my inhale/exhale, I see
that the carpet here is lime green, shag, just like the
green carpet where the small children of Green Meadow
Elementary sat in the library, 1985, ‘86, ‘87…we read
books about dinosaurs and planets and gigantic men who
chopped trees in days gone by alongside blue oxen. There
were books of women who flew planes and disappeared,
and of ghosts who haunted castles, books of egghead
professors with childish brain games, and books of
children who had troubles just like the troubles we had
at home or in our classrooms, on the bus, with bullies,
siblings, nightmares, parents who disappeared, feelings of
isolation, feelings. None of them had the troubles we had
when we grew up though, or the troubles the bald
children here have discovered. Publishers and sales reps
probably don’t like tallying such figures. Back then,
Letter People lined the walls and a TV with Ramona
played on rainy days. There were book club sales, book
reports, and wooden chairs lined up along the wall,
straight and small. All of us sitting on the green carpet. I
believe the rain still falls on the windows there, while
kids here grow old, fall down, their eyes drifting against
the wash of a television glow in hospital rooms and daybeds,
their blood and marrow melting, betraying,
hounding them, the pages of their stories thinning out
and fading blank. And then someone calls my name so I
rise and walk across that green carpet to see how many
pages my own story has left.
As a very young child, one of my favorite things to do was to curl up with a picture book and lose myself in the immersive illustrations. Even when I graduated into chapter books, something about really well-done picture books captivated the imagination. The one that dominated my youngest years was The Berenstain Bears and The Spooky Old Tree. This tale of three little bears adventuring into the night to explore not just a tree but underground tunnels and alligator infested waters and haunted old halls full of watchful paintings and suits of armor, and a whole lot more. It was indeed spooky, but also thrilling and comforting at the same time. It became a bit like my security blanket.Read More
Today I had an incredibly fun interview with Marcia Epstein on her hour-long "Talk With Me" podcast, where she speaks with poets, writers, and artists about their work, their lives, and how the two intertwine in happy, frightful, productive, and connective ways. We spoke about Hobo Camp Review and how it all began, my upcoming collection of poetry We Are All Terminal But This Exit Is Mine (which will be ready to release VERY soon!), and about my experiences going through cancer and trying to maintain some sort of "normalcy" in both writing and social aspects of my life, and also about trying to decide when, why, and how I wanted to share these experiences with those around me. It's the first time I spoke about all this in such a public way, and many of the poems I read on the show are about this time in my life as well. I hope you enjoy listening. You can also download the show at iTunes, I believe. A big thank you goes to Wolfgang Carstens for connecting me with Marcia. Wolfgang is a kickass poet, the editor of Epic Rites Press, and a Hobo Camp alum, so please look for his work! As far as my book, Bud Smith and I are in the final proof stages and it's almost ready to launch. I'll be giving away free extras with the first wave of books going out the door - more details about that soon. Thanks very much!