Talavera Sunsets now available from Bottlecap Press

Talavera Sunsets is now available from Bottlecap Press! This is a 28-page, hand-bound chapbook of poetry about the last road trip I took as a teenager with my father and sister out to western Texas, the last real road trip we’d all take together. I’m so delighted that it found a home with the incredible Bottlecap Press as part of their Bottlecap Features series. Copies are available through them for just $10, and you cannot buy this on Amazon (thankfully!) so be sure to head to their shop. Here’s the back-cover text for the book and a sample.

More than a road trip, it became a pilgrimage and last goodbye. The poems in Talavera Sunsets serve as mile markers along dusty highways in west Texas, archiving James Duncan’s final teenage road trip with his father and sister in the 1990s before impending adulthood swept them all in different directions.

From motels in Del Rio and Alpine to old cavalry forts and the McDonald Observatory north of Big Bend, these poems explore the people, places, and magical landscapes of a region as old as time, yet always in flux with humanity’s never-ending migrations. The three of them never returned, and part of them never left.


Nassau, a New Collection of Poems and Photos

I grew up outside the small town of Nassau in upstate New York from about age 8 to 15. We lived in a trailer park, and this collection is not about the park itself (that’s another book of mine called We Are All Terminal But This Exit Is Mine) but of memories of Nassau and the surrounding area. The book is filled with poems inspired by people and places there, perhaps not as autobiographical as my other books, but the voices and lives within the poems exist within the memories I have of the area. The book contains 30 photographs and 30 poems and is also inspired by the Bruce Springsteen album Nebraska. Poems featured include “Johnny ‘89,” “Cedar City,” “Townie Cops,” “Hand-Me-Downs,” “My Mother’s House,” “Used Cars,” “Blood of Nostalgia,” and many more!

The book is now available! Here’s a sample piece from the book. Thanks for taking a look. Your support and interest means so much to me!

Used Cars

A ‘91 Pontiac with rust stains on the roof. We took it up and down the streets in town, passed the ball fields and the gun shop and took a right at the Sunoco station back to the edge of the village. On the first turn I could tell the CV joints were going out but all she did was stare out the passenger window and tell me how she didn’t like this town. She had to get out. It was going to trap her like it did her sister. The faint smell of smoke came from the air vent. I wasn’t sure if it was residual ghosts of old cigarettes or maybe the engine. The gauge said the temp was fine but that didn’t mean anything. She put her feet on the dash. Bare and pale in the early summer sun. I thought of footprints, but who cares? I wasn’t buying this old Pontiac anyway. Not from Jeff at the Fix-n’-Go outside of town. Not after he made that racist joke about what PONTIAC (as an acronym) stands for. I’d heard it a million times. I mean, on one hand, who cares. But I’d heard too many guys I went to school with (who reminded me of Jeff at the Fix-n’-Go) who belittled my best friend, a half-Mexican, as a “spic” or “wetback” and I made the decision at age nine not to fully trust anyone who said such dumb shit. Another turn. Another cul-de-sac. The wind played with her hair. Caramel whippets dancing around the headrest. She sometimes joked about robbing a bank and she smelled like a department store perfume counter, and I like both of those things. She sighed, looked at me. I winked. Maybe it was too late for us to get out. I pulled into the Fix-n’-Go garage beside the line of used cars and told Jeff I’d like to try the ‘88 LeSabre too. He said he had to find the key. I said that was fine, I didn’t have anywhere to be. I’ll bet when he came back out to find us gone, he was pissed. But to hell with Jeff Sawyer. We headed to Smith Pond. Watching the way her feet bobbed above the water and caught the light of the sun as she tried to float with the abandoned summer camp on the hill was worth another week of hunting used cars, just something to get us from Point A to anywhere but here.

New Poem in Misfit Magazine

My poem “Cherry Dip” now appears in Misfit Magazine, edited by the absolute legend Alan Catlin. The issue is chock full of great poets and friends and I’m delighted to have been included. The poem is about watching a drug bust go down in an otherwise idyllic village downtown in front of an ice cream stand and the weird juxtaposition of the moment. The poem will also appear in my upcoming book Nassau, with more details on that soon.

And if you go to the issue of Misfit and read the Books Received and Acknowledged section, you’ll find a brief review of my book Cistern Latitudes.

My thanks to Alan for including the poem and for giving my last book a quick write-up. And thanks to all of you for reading!

New Poem in Tabula Rasa Review #3

My poem "Acre" now appears in Tabula Rasa Review Issue 3, which you can view or download digitally at the link in the comments, or buy a print edition for just $14. The editors took a lot of care to revise this one with me a couple of times to really tighten it up. I appreciated the involved and invested process, so consider sending your work too! The poem also appears in my book Cistern Latitudes, and I have a few signed copies left of that one. Thanks for reading!

Proper Etiquette in the Slaughterhouse Line

Now available from Gutter Snob Books! Order from the publisher or order from my Big Cartel shop!

“The work we do, all of us, this whole universe of spreadsheets and emails and wrenches and lesson plans and bus routes, this work we do is just to keep us from thinking of Love.”

When our value is judged by our productivity, when we’re seen more as cogs in a machine than human beings, when the warnings of a world on fire are ignored by CEOs and politicians cashing in at every turn—doom is inevitable. These poems explore the grinding, churning world of the working class waiting in line for their turn in the slaughterhouse, and when the world begins to fall apart after years of dour warnings, we’re still expected to come in and punch the time-clock as the bombs fall, the water dries up, the toxins spread, and the end comes for each of us. But the boss is throwing a pizza party at 4 p.m., so don’t punch out too soon!

“James Duncan shows his work. He is thorough and true. There is a cadence to these poems that goes beyond the poems themselves. The entire book moves like a train. Duncan uses language as a vehicle in which the reader truly travels. There are depots and little worlds along the journey. There are tiny poems inside each poem itself. His poems are crafted like stories told between friends, stories too painful to tell, stories written in real time and reflection, stories that are windows and stories that are lessons learned through the grinding grief and unpredictable joy that define nearly every life ever lived. Duncan reminds us that our lives are large, real and precious, but so much is lost in the paperwork and the phone call and the everyday business of our lives. This book is a catalog of the glory and the desperation of being alive in a world that challenges decency. These poems fight to deny that challenge, to disregard it even as we live it and see it out the windows of our brains, our bargains with ourselves and as we bump along the tracks of our lives. Duncan reminds us that "if you’re going to die, die with decency.” — Dena Rash Guzman, author of Joseph and Life Cycle

“James Duncan's new collection of poems punch me square in the teeth. Most of us work a job we hate just so we can survive in a world that would rather see us exhausted than in love, that would rather see us depressed than creative, that would have us put our heads down and live among the meaningless than to look up and discover awful truths. These are poems in the vein of Carver, Bukowski, and James Wright. Workers, fighters, and people with little hope, trapped in a system they cannot beat, but sometimes can beat late at night during the exhausted hours. These poems take the everyday mundane existence we are force fed eight hours a day and show us there is hope, but only if we are willing to open the doors of the slaughterhouse.” — Frank Reardon, author of Loud Love on the Sevens and Elevens, Blood Music and others

“With Proper Etiquette in the Slaughterhouse Line, James H. Duncan does a superb job of showing us our humanity exactly as we are living it, the pain, the struggle, the sickness and all the manifestations of any joys we can find to keep ourselves grounded. Duncan’s poems are both heartbreaking and equal parts exuberant within the expression of the simplest speck of human minutiae. This book of poetry exposes our very soul.” — John Grochalski, author of Eating a Cheeseburger During the End Times and P-Town Forever

New Poem in The Mantle, Issue 14

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My poem “Fugue” now appears in The Mantle, Issue 14, alongside the works of Emily Scudder, Elise Houcek, Blue Nguyen, and other writers who are definitely worth checking out. It’s a small lineup but editor James Croal Jackson picked a great slate of folks, and I feel very fortune to appear alongside them. The poem itself is about the cyclical nature of life and fate, and what is lost will be found again, only to fade back into the night. I hope you enjoy!

Two Poems in New Dreamscape Anthology

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Open Skies Quarterly is a print and digital journal that recently teamed up with Shrouded Eye Press to create a series of anthologies, and their most recent is called Dreamscape, in which all poetry touches on the themes of dreams, nightmares, daydreams, etc. The collection includes two of my poems, “The Ghosts of Flat Tires and Dead Flowers” and “The Cold Northern Edge of Your Rope.” The latter is somewhat apocalyptic and political while also being one of the more calming and peaceful poems I’ve written in a while. The former is about daydreaming in my living room and appears in my latest book, Beyond the Wounded Horizon, a split collection with J Lester Allen. You can download the Dreamscapes Anthology for free, or purchase a copy in print form. Thanks for reading!

New Poetry Collection, Feral Kingdom, Coming Soon

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My latest collection of poetry, Feral Kingdom, is coming soon from Kung Fu Treachery Press. The collection features poems abandoned and cut loose, crawling through the holes in the back fence, running beyond the town line, and disappearing down sprawling country roads into a world unknown. Between the lives we lead, the loves and jobs and homes we claim, there is a place of raw nerves and lonely nights, of bars drenched in neon and highways promising something better. There’s a feral kingdom out there, and all of us have to walk through it, live it, survive it, one way or another.

More details are on the way, including an exact release date and information about reviewer copies and PDFs. For samples of the kind of poetry you’ll find within, feel free to check out “Spiders at Night” from Up The River, “West Texas Skyway” from Punch Drunk Press, or “My Ex’s Father” from Foliate Oak Literary Magazine. But the collection will mostly feature unpublished poetry, and readings and signings will follow upon its release. Thanks for all of your support!