Well, not really. It’s not like the secret service gave me a gun and aviator sunglasses. And it’s not like there was any real threat from some gun-totin' lunatic. But if you look at it from a certain point, it’s true, I spent an hour or so as my own version of Burt Macklin, keeping the bad guys out of the Elks Lodge 2223 on Route 40 back in 2004, when Hillary Clinton came to the town of Greenwich, NY.
Over the past several weeks, a number of people who have read or have heard me read aloud some short stories from my upcoming collection of fiction, What Lies In Wait, have commented that the stories would make intriguing radio plays and they remind them of those old time radio shows that aimed to give listeners a late night chill. There’s likely a good reason for this, as old time radio has long been a quiet passion of mine. Over the years I have been listening to a wide variety of suspense, mystery, horror, and crime radio programs from the 1930s through the late 1960s, using the Old Time Radio Internet Archive, which has hundreds if not thousands of episodes available for streaming or downloading. To say they have affected my storytelling in recent years is probably not giving them enough credit, as I’ve become absolutely fascinated with the eerie tension within these stories
If you like podcasts like Serial, or if you are an audio-book junkie, you’ll love some of these old programs, and many are complete with their original commercials for everything from Wheaties to wine, coal to car batteries, and even U.S. war bonds. I throw them on my iPod and ride the subways of NYC listening to some of the best actors and writers to ever lend their talents to radio, people like Ray Bradbury, Humphrey Bogart, Vincent Price, Dorothy L. Sayers, Lucille Ball, Orson Welles, and many others. Below are my Top Five favorite programs that I highly recommend for all of you out there.
The first month of the new year has been productive, even if my submission output to magazines and agents has remained minimal (something to fix this next week). So far this year I have:
1. Completed a full revision of my hardboiled dystopian mystery Reaper City, cutting it down from 109,000 words to 103,000 (after having cut it down from 130,000 last spring). This book has been in the works since 2007 so I’m hoping that this revision will be the one to finally earn the book a home somewhere.
Self-editing is one of the most widely discussed “craft” topics for writers and everyone has their own B.S. methods and tricks. Most of the tricks are just common sense, such as AVOID IT AT ALL COSTS, because you will never not ever catch all of your own typos, but you can try! (And you should try…nothing is worse than typos. Not taxes, not typhus, not anything.) Here are a few things I suggest.
1. Oh god, just hire someone else to do it. They’re probably better at it than you. No, not probably, they are. I just read six websites that all said something like “The author is the best person to edit their own work” and that’s such a load of garbage. You are certifiably the worst, because you know the material too well. Find someone who doesn’t know it at all.
