I'm very excited to announce that my chapbook of new poetry, Berlin, was just accepted by Maverick Duck Press, a great small press dedicated to featuring, as they put it, "cutting edge talent with an eye for detail and a powerful voice." This will be a limited-run printing, and as soon as I have a release date I'll let you all know. Between this new collection and the currently available Lantern Lit, Vol. 1, which features my mini-chapbook The Darkest Bomb, I'll have to get myself out the door to some readings this year, and I'll post details about that as well. But for now, a big thank you goes out to MDP editors Kendall Bell, Kayla Marie Middlebrook, and Bronwyn Haynes, the magnificent city of Berlin, and Marguerite Gisele for walking me down the cobblestone, lamplit streets and for helping me order beer at The Nordwind! And a thanks goes out to all of you for your support and for reading my work. It's deeply appreciated.
7 Tips for Revising a Novel
*Previously published at the Writer's Digest blog, There Are No Rules. I blog there once or twice a month. Take a look!*
I spent my December revising a noir/crime novel (I seem to spend most Decembers revising a novel) and I also had a recent discussion with two other writers about the revision process. Both occurrences brought to mind some tips you may find useful. Mind you these are rather simple pieces of advice, and everyone has their own process that works for them, but they might help you feel a little less like you’re swimming upstream during this vital step. I hope they help. Happy revising!
1. Use One File — This is especially true in fiction, but I advise all writers to write the early drafts in one Word file (or whatever software you use). Not only does it help keep a sense of continuity as you progress, but if you make a change that affects an earlier chapter, all you have to do is scroll up. It also makes a key word search much easier without having to open multiple files. I’ve seen novelists use a new Word document per chapter (I did with my first novel way back when) but it can become a confusing jumble of files once you get up to chapter sixty, seventy, eighty…
6 Writing Lessons From Alfred Hitchcock's 'Rear Window'
It's often said that the book is better than the movie, but sometimes a movie can help you write a book, especially if that movie is directed by cinema legend Alfred Hitchcock! Granted, he was working with some exceptional material, with a dynamite screenplay by John Michael Hayes, based on a short story by Cornell Woolrich - something I forgot to mention in the article I wrote over at the Writer's Digest blog, "There Are No Rules," where I offer six lessons a writer can take away from the classic film Rear Window. Enjoy!
Why I Write for Children, Too
A lot of people know that I'm a fan of noir fiction, crime, mystery, and old pulp stories. Many of my short stories and novels focus on these genres, but I also dabble in horror, sci-fi, and even westerns. And those closest to me know that poetry has pulled me through the worst events of my life and made the best events even better, but when people ask me what I write, one of the first things out of my mouth is, “I write children’s books.”
Read more8 Things Star Wars Can Teach Us About Writing
This is just a quick note to say I have a new post at Writer's Digest on how the lessons learned in Star Wars can help writers stay productive! It's a take off a previous author's Star Trek related post, and as a Star Wars guy, I couldn't allow myself to be outdone. I hope you find it useful!
My Top 10 Books of 2013
As usual, my list is formulated as such: The books don’t have to be released in 2013, but I must have read them in 2013, and it must be the first time I have read them. I stick to fiction for these lists, usually novels but not always.
10. The Whisperer in the Darkness by H.P. Lovecraft
This is a short novella that is also available for free for your e-reader (it’s in the public domain), which is how I read it. The story concerns a New England scientist who scoffs at the claims of strange, monstrous bodies found floating down rivers after a major flood in Vermont. Soon, a man living in a remote section of Vermont reaches out to him via letters, claiming that these bodies are not old wives' tales, but are clues to a secret that has plagued humanity for centuries. The man in Vermont has witnessed the cult-like, otherworldly beings who live deep in the woods. The beings are aware they're being watched, and they're closing in. The letters escalate in intensity and strangeness as the story unfolds, and our scientist eventually makes the trek to rural Vermont himself, with horrific results. The tale is spooky, fun, and skin-crawlingly wonderful.
Read moreUp The Staircase Quarterly's Book Review of 'The Cards We Keep'
Author, poet, and Up the Staircase Quarterly editor April Michelle Bratten has posted a great review of my collection of short fiction, The Cards We Keep. In part she says, "Duncan’s characters are genuinely interesting and relatable in all of these ten stories, no matter what strange or dangerous predicaments they might have gotten themselves into… (continued)
Read moreBest of the Net Nomination, 2013
I'd like to thank Thick With Conviction editor Danielle Masters for nominating my work, "The Young of Stray Dogs," for the 'Best of the Net' award. Poems selected by the 'Best of the Net' committee appear in their annual anthology (produced by Sundress Publications). I've received a couple of nominations in the past, but not since my attention has shifted more toward fiction in the last couple of years, so this is much appreciated.