Jack McDonald loses his farm and everything that went with it, save for the debt, and he wanders through the evening until he comes to Smut Milligan’s roadhouse just outside of town. Smut sells him some illegal corn whiskey and offers him a job as the roadhouse cashier. With nowhere else to go, Jack joins on the expanding operation and soon bears witness to the depths of humanity's greed, corruption, and vengeance. Set deep in the south during the Great Depression with a wide cast of believable, rough-and-tumble characters, James Ross’ They Don’t Dance Much is almost Shakespearian in its exposure of the darkness of the human soul, combining the best elements of Raymond Chandler, Flannery O’Connor, James M Cain, Jim Thompson, and even hints of William Faulkner’s Southern Gothic aesthetics.
Read more7 Publishing Tips I Learned at Writer’s Digest Conference East 2013
I recently attended Writer’s Digest Conference East in New York City — my first writing conference in almost five years — and aside from the standard (though invaluable) advice on craft, career, and publishing options for writers, I picked up these seven tidbits of info that I found especially fascinating. You might too, so enjoy!
1. Bookmarks: Every reader needs them. Heck, I have about thirty around my apartment lying in wait and I still take more when I can. So think about creating some with your name and book title on them. They’re easy to make, inexpensive to print, and they can help spread the word about your book, name, website, or twitter handle long after someone has finished your book. It’s a great tip I picked up from Eric DelaBarre (former writer for Law & Order and author of the hit children’s novel Saltwater Taffy).
Read moreThe Toughest Crowd in Town: Writing for Children
They say writing for children is harder than writing your typical adult novel, and that never became more evident for me than when I worked on my middle-reader novel The Little Blue Knight vs. The End of the World. As adults, we’ve developed an innate understanding about how to communicate with each other — how our work day went, what happened over the weekend, giving a speech at work, etc. But few of us continually communicate with children on their own level — not just telling them what to do, but actual storytelling for and from their perspective. It’s a skill that slowly goes away as we grow up, so when you decide to take up the challenge of writing a children’s book, there are many things we adults need to understand and re-learn. Here are three things to keep in mind.
Read moreFive Books I'm Ashamed I Couldn't Finish
I used to think of myself as a good soldier when it came to sticking it out with a book, even if became dull in spots. I would push through, skim a bit if it got too rough, and often enough I was rewarded for my efforts with a solid ending. But the older I get, the less patience I have with a book that is lacking in captivation (or even worse, in quality storytelling or writing) and I have become comfortable with putting down a book that has lost me within the first 100 pages (my designated "do or die" line in the sand).
And yet, I feel ashamed for quitting on some books, great pieces of literature that have been impactful and important, but sometimes I just can’t keep the ship afloat and it becomes time to scramble for an exit and a sturdy inflatable raft. Here are five classic novels that I wish I finished, that I may yet finish one day, but for now I am ashamed that I quit halfway through.
Read moreBook Hound on the Hunt
Like most literary types, I consider myself a book hound and enjoy wandering endless shelves and stacks to sniff out deals and cross titles off of my “Must Read” list. I recently went on a day trip through parts of upstate New York (and a quick dip into Vermont) and hit up a bunch of shops, to varying results. Here I list my thoughts on each, share what I picked up, and assign a dreaded letter grade for each shop. (Remember those old, silver teacher pens that were red on one side and blue on the other? I want one of those!! I'll assign an A+ and a “Grape Job” scratch-and-sniff sticker to anyone who sends me one!!)
Read moreThe Hunter by Julia Leigh: A Review
A couple of months ago I stumbled across a gorgeous little film, The Hunter, that was in and out of the theaters faster than you can blink. I decided to go see it based on the prospect of watching Willem Dafoe, playing as the eponymous character, stalking through the Tasmanian backwoods, rifle in hand, with the stone-blue eyes of determination and patience, a deft and subtle survivalist, a thinking man’s tough guy who can gut it out in the wild for weeks on end without batting a lash. The movie was not a work of perfection—there were a few jerky moments and leaps of faulty logic that gave me pause, and I actually could have watched Dafoe silently stalk his prey out in the wild a little more than offered here, if only to get a truer sense of his isolation. But after reading the novel by Julia Leigh that inspired the film, I feel like the movie got a few more things right than the book did, which is a rarity.
I want to clarify, though, that I don't mean to say the novel wasn’t a quality read. It was, especially the internal narratives of the hunter when he is out in the wild, but the following three things stood out for me and really put the movie over the top.
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